Natalie Heller Mills begins Yesteryear as a highly polished “tradwife” influencer, living on a picturesque Idaho farm with her husband Caleb and five children, pregnant with her sixth. Her online persona promotes rustic traditional homemaking, but behind it are nannies, hired help, carefully staged social media cont…
One morning she wakes to find her life shattering: she appears trapped in 1855, with no electricity, unfamiliar children, and a husband who is harder and darker than she remembers. She questions whether this is time travel, a hoax, or a test of some kind as she attempts to escape.
Natalie’s backstory is revealed: raised in a strict Christian household, she leaves Harvard after becoming pregnant, marries into a political dynasty, and meticulously builds a media empire around her adopted pioneer aesthetic—even as the farm fails, her marriage frays, and her integrity begins to crumble.
Gradually, clues accumulate—secret recordings, a producer’s betrayal, public exposure of the artifice—and it becomes clear that Natalie didn’t actually travel to 1855. Instead, she and Caleb have isolated themselves on their land and forced their entire family into a pioneer-style existence without revealing the truth, even suppressing modern technology and medical care. Her sense of reality becomes warped, aided by Caleb’s gaslighting and manipulation.
In the end, Natalie’s eldest daughter, Clementine, returns as an adult, rescues the rest of the children, and arranges for Natalie and Caleb to be removed from Yesteryear Ranch. Natalie is later convicted of child abuse and sentenced to thirty years in prison. Meanwhile, the youngest daughter, Mary, writes a bestselling memoir that reveals the truth of how her childhood was built on performance, secrecy, and control.
Sources
Provider metadata
Tap to read source excerpt