The central conflict in Monster: The Lizzie Borden Story is psychological and societal, rooted in the clash between Lizzie’s suppressed self and the rigid constraints of her Victorian home—and a growing rage born of abuse, neglect, and isolation.
Key Elements of the Conflict
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Lizzie vs. Her Household (Father & Stepmother) A deeply stifling, hostile environment—marked by her stepmother’s cruelty and her father’s indifference—creates intense emotional pressure. Lizzie is constantly belittled, denied affection, and forced into submission under Victorian codes of obedience.
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Internal Conflict: Rage, Yearning, and Identity Lizzie struggles internally with anger, longing for something more—intellectual, emotional, and bodily. Her budding connection with the maid, Maggie, opens her eyes to desires and ideas she’s had to repress. The show also explores what it was like for women in that era: how physical and societal constraints (like corsetry, expectations of femininity) suffocated women’s spirits.
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Lizzie vs. External Judgment & the Court of Public Opinion Once her parents are murdered, the spotlight turns to Lizzie. Though historically acquitted, she becomes a figure both reviled and mythologized. Her trial, the town’s gossip, and the turning of her personal trauma into public spectacle intensify her conflict. She must construct a narrative—before the law, before herself—that reconciles what she did or didn’t do with how she feels she has been made to feel.
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“Monsters Made, Not Born”—Nature vs. Nurture The show posits that Lizzie’s “monstrosity” is not an inherent trait but a product of cumulative abuse, neglect, and societal repression. It examines whether people like Lizzie are shaped by their environments, by what they endure, and how they choose—or are forced—to respond.
In sum, the central conflict isn’t just who killed Lizzie’s parents, but how a young woman’s internal world—ripped between rage, desire, and shame—collides with expectations, cruelty, and judgment. It’s both a murder story and a portrait of what it means to live—and possibly erupt—in a world built to contain you.
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